Off the Court Summit
BRANDING
A visual identity for Off the Court, a sports summit about anything but sports.
The two-day summit was hosted by Giant Spoon and Athlete Exchange/Wasserman in Los Angeles, and featured panels by and for Olympians, professional athletes, marketers, and sports executives.
MIXED MEDIA (LOGO, POSTERS, STICKERS, SIGNAGE)
BRANDING
A visual identity for Off the Court, a sports summit about anything but sports.
The two-day summit was hosted by Giant Spoon and Athlete Exchange/Wasserman in Los Angeles, and featured panels by and for Olympians, professional athletes, marketers, and sports executives.
MIXED MEDIA (LOGO, POSTERS, STICKERS, SIGNAGE)
December 2019
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Spectacle Thesis Show
BRANDING
A visual identity for the Boston University College of Fine Arts School of Visual Arts 2019 BFA Thesis Show.
PARTNERS: SAM WEST, KATE MONROE
MIXED MEDIA (MICROSITE, CATALOG, POSTERS, STICKERS, DIGITAL, DECOR)
BRANDING
A visual identity for the Boston University College of Fine Arts School of Visual Arts 2019 BFA Thesis Show.
PARTNERS: SAM WEST, KATE MONROE
MIXED MEDIA (MICROSITE, CATALOG, POSTERS, STICKERS, DIGITAL, DECOR)
May 2019
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Sugar Coated
UNDERGRADUATE THESIS
An exploration of personal picky eating habits through the lens of cake decoration.
MIXED MEDIA (REAL CAKES + ICING, STYROFOAM CAKES + SPACKLE ICING, PHOTOGRAPHY, SCANS, BOOKS, EXHIBITION DESIGN)
UNDERGRADUATE THESIS
An exploration of personal picky eating habits through the lens of cake decoration.
MIXED MEDIA (REAL CAKES + ICING, STYROFOAM CAKES + SPACKLE ICING, PHOTOGRAPHY, SCANS, BOOKS, EXHIBITION DESIGN)
May 2019
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Hard Soft
EDITORIAL, FOOD STYLING, ART DIRECTION
A publication that mixes two interests: baking and Doom Towns. To create imagery, I encased historic photos inside Jell-O molds.
Two pieces run side-by-side: an excerpt from Manhood and Political Culture in the Cold War (on being “hard” or “soft” in terms of wartime masculinity and Cold War political views) + The Cursed History of Jell-O and the Family Behind the Gelatin (on the history of Jell-O and its role in expectations of womanhood through history).
PRINTED ON CREAM 24LB PAPER WITH COLORED INK; PERFECT BOUND.
10.25 x 14.5 INCHES.
EDITORIAL, FOOD STYLING, ART DIRECTION
A publication that mixes two interests: baking and Doom Towns. To create imagery, I encased historic photos inside Jell-O molds.
Two pieces run side-by-side: an excerpt from Manhood and Political Culture in the Cold War (on being “hard” or “soft” in terms of wartime masculinity and Cold War political views) + The Cursed History of Jell-O and the Family Behind the Gelatin (on the history of Jell-O and its role in expectations of womanhood through history).
PRINTED ON CREAM 24LB PAPER WITH COLORED INK; PERFECT BOUND.
10.25 x 14.5 INCHES.
September 2018
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Tell Me I’m Fat
EDITORIAL
A publication featuring the full transcript from the This American Life podcast episode 539 titled “Tell Me I’m Fat,” in which host Ira Glass explores fat through interviews with Lindy West, Elna Baker, and Roxane Gay.
The book utilizes wide-set typography, thin margins, and tight leading to make the design feel dense, bold, heavy, and a little uncomfortable for the reader. Images are from Leonard Nimoy’s “The Full Body Project,” in addition to photographs of West, Baker, and Gay to supplement the transcript in this printed form.
PRINTED ON TAN 24LB PAPER WITH BLACK INK; STAPLED SADDLE-STITCH.
5 x 7 INCHES.
EDITORIAL
A publication featuring the full transcript from the This American Life podcast episode 539 titled “Tell Me I’m Fat,” in which host Ira Glass explores fat through interviews with Lindy West, Elna Baker, and Roxane Gay.
The book utilizes wide-set typography, thin margins, and tight leading to make the design feel dense, bold, heavy, and a little uncomfortable for the reader. Images are from Leonard Nimoy’s “The Full Body Project,” in addition to photographs of West, Baker, and Gay to supplement the transcript in this printed form.
PRINTED ON TAN 24LB PAPER WITH BLACK INK; STAPLED SADDLE-STITCH.
5 x 7 INCHES.
October 2018
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